Close-up photo of a woman with long blonde hair, wearing a black top, standing against a plain white background.

Helena de Aguiar Schnaider

Graphic Designer

Pink text in uppercase and lowercase saying 'Hello Fridays' with a music note in the top right corner

Expressive | Curious | Cohesive

I design the obvious into the unexpected.

Always structured, never predictable.

Design for a branding presentation titled 'Noturno Speakeasy', featuring a hand holding a cocktail glass, with a red curtain background and stylized text.

A speakeasy-style cocktail lounge designed for Vancouver’s after-hours culture. 
The project explores how branding can shape not only perception, but also behaviour, encouraging people to slow down, stay longer, and engage more deeply with their surroundings, resulting in a much more intentional “going out” culture.

The identity system is designed to feel intimate, social, 
and intentional.


Refined typography and rich tonal palettes create a sense of rhythm and presence, reflecting the energy
of the night without relying on spectacle.

Overview

Soundaro Speakeasy logo with black and white feather design
A black and orange logo with a stylized letter 'N' and a curved line.
Close-up of a black and orange circular logo with stylized lines.
Swatch of colors with the top half labeled 'Ember Orange' with hex code #DF6436, and the bottom half labeled 'Indigo Blue' with hex code #121D3C.

Process & 
Thinking

From the beginning, the intention was to explore typography as the main driver of the brand’s personality. This decision comes from the goal of an identity that speaks for itself, where the design doesn’t need to explain or decorate, it exists with
clarity and confidence.


The process started with multiple iterations 
of the initial “N,” using it as a foundation to test how subtle shifts could change the tone. Exploring variations in curves versus sharp edges revealed how small typographic decisions can create
different atmospheres.

Sketches
Repeated text 'NOCTURNE' in a stylized orange font on a dark blue background.
Multiple panels displaying the 'noturno' logo in cursive script with the tagline 'SPEAKEASY' underneath on dark backgrounds, with a pink circular emblem featuring a white 'D' at the bottom.

Initial Sketches, Digital Iterations,
‍ ‍Colour Exploration

Final Thoughts

This process was really about finding 
a balance between creative exploration 
and real-world application.
While I spent 
a lot of time refining the typography I was equally focused on making sure the brand could live consistently across everything it touches. Because it’s
a speakeasy, there’s an inherent need for flexibility: menus change often, social content varies, and the experience evolves night to night.



Designing with that in mind meant building a system that feels cohesive without being rigid. In the end, the process wasn’t just about creating something visually strong, but something that could hold up, shift, and still feel intentional in every context.

Where It Comes to Life

Three posters advertising a marketing campaign about resilience. The first poster shows an IV bag filled with a red substance with the caption 'Still here. Still full.' The second poster features a syringe with the caption 'Fuller than you think.' The third poster displays purple capsules with the caption 'It's all within you.' The left side of the image has a purple background with white text that reads 'PRN Already in Your System March 2026.'

A social marketing campaign designed for nursing students navigating one of the most psychologically demanding educational paths. Rooted in the clinical term Pro Re Nata (“as needed”), the project explores how familiar medical language can be reframed to shift perception, not only of care, but of self.


The campaign positions resilience not as something to be built over time, but as something already present, responsive, and active within each student.
By translating an internal, often unrecognized capacity into something visible, PRN encourages students to pause, recognize their own strength, and engage more openly with support systems and community.

Overview

The image appears highly pixelated with a mix of purple, orange, and blue colors, making it difficult to discern specific objects or details.

Process & 
Thinking

As a group project, we collectively wanted to create something visually striking, but still rooted in a language that feels familiar. 
It was important that even 
with unexpected elements, like glitter within clinical forms, the campaign didn’t feel too exaggerated or disconnected from the environments nursing
students move 
through every day.

With the goal of reconnecting students with the resilience they already carry, every decision was made
to reflect that contrast. 
A colour palette was chosen
to bring warmth into an otherwise cold, clinical environment, while rounded typefaces like Inter and Quicksand introduce a sense of softness, belonging,
and wholeness.


With the support of the photography department, the visuals were brought to life through a series of three posters. 
Using clinical props filled with glitter, each piece reinforces the idea that this resilience isn’t something external or prescribed, but something
that has always existed within each student,
all they need is this reminder.

A person drawing a liquid from a small bottle into a syringe, with open containers and bottles on a table.
A woman with long hair and glasses is using a ruler to measure a large sheet of paper on a table. In the background, a person is crouching down, pointing or reaching toward the paper.

01

02

Screenshot of Adobe Illustrator 2026 window with multiple artboards displaying the text 'PRN already in your system' in large, purple, checkered font.
A person using a laptop computer with a design editing software open on the screen. The person’s hand is on the keyboard, and the screen shows an art project, featuring a central object on a light background.

03

04

01 Filling up capsules with glitter 02 Photoshoot shenanigans
03 Lightroom checks 04 Logo development

Final
Thoughts

This process 
was about making something
intangible feel seen. 


A lot of the refinement went into finding the right balance between clarity and emotion. Making sure the visuals felt recognizable enough to belong in a clinical environment, while still creating a moment of pause, something that could interrupt routine and shift perception, even briefly.


At the same time, we were thinking about how the campaign would live beyond a single interaction. Nursing students move through fast, high-pressure environments, so every element needed to be immediate, but still meaningful. Posters, digital
content, physical takeaways, and the event all work together as small, consistent reminders, each one reinforcing the same idea in a different way.

A webpage design titled "Resilience in Nursing Education" with sections on types of resilience, resources for well-being, community support, and peer testimonials, featuring colorful buttons and informational texts.
A screenshot of a social media profile for PRN (Pro Re Nata) with 120 posts, 10,000 followers, and 13 following. The profile has a colorful logo, a biographical description, and main menu options for Events, Community, Testimonials, and Resources. The posts include images and graphics related to resilience, research findings, and motivational messages.
Colorful cards with prompts and questions for reflection and motivation, including phrases like "Good luck today!" and "You're doing better than you think".
A purple packet displaying positive affirmations and motivational messages, including 'Resilience reminders use as needed,' and 'You are stronger than you think.' The packet has a circular logo with a heart-shaped cloud design with two hands, and contains additional speech bubbles with encouraging phrases.
Two transparency cards attached with metal clips and orange straps, one with text about recovery and resilience, the other with a QR code and a message about system support.
Colorful mural with words about resilience, immunity, and strength, including phrases like "Still Here," "Still Full," "Active Ingredient: You," "Immune. Together," "Just Strength," and other encouraging messages, with two people standing below.
A person walking past three digital posters on a wall. The middle poster features an IV bag labeled "RESILIENCE 500ML" with a caption "Still here. Still full." The left poster mentions the benefits of resilience, and the right poster has purple capsules labeled "RESILIENCE."

Poster Series

Image showing two colorful snack packaging pouches, one brown labeled Espresso Martini Caramels and one yellow labeled Whiskey Sour Hard Candies, with decorative candies and cherries, on a light background.

A vibrant brand concept for an organic treat company designed to stand out within the expectations of the category. Siply is rooted in authenticity, joy, and connection, offering 
a playful take on indulgence through bold, natural flavours and a consciously crafted experience. Each touchpoint reflects a sense of energy and lightness, positioning the product as both a treat and a mood.


With this project, I challenged myself to push beyond the expected visual language of organic brands. Instead of leaning into the typical earthy and subdued aesthetic, the goal was to create something that feels modern and innovative, bringing a fresh, spirited presence into a category that often looks the same.


The identity balances this contrast by combining clean typography with vibrant colour and expressive illustrations. 
The result is a brand that still feels natural 
and trustworthy, but with a distinctive, joyful edge, offering a refreshing alternative within the world of organic treats.

Overview

An abstract digital artwork featuring the repeated word 'SIPLY' in colorful stylized font with the tagline 'TASTE REIMAGINED.' The words are arranged in various sizes and orientations on a black background, with some text and design elements appearing digitally manipulated or layered.
Two brown packages of coffee flavoured caramel candies, one labeled "Espresso Martini Caramels" and the other with words "Spirited Fresh Pure Authentic Irresistible," placed against a plain background.
Multiple hands holding colorful bags of candy, with packaging labels reading Espresso Martini Caramel and Whiskey Sour Hard Candies, against a light yellow background.
Three colorful packages of gummy candies labeled Lavender Spritz Jellies, Cranberry Mule Gummy Worms, and Spiced Apple Cider Gummy Rings.
Two coffee-flavored snack bars in colorful packaging, one with red and white checkered pattern, the other with brown and cream checkered pattern, both featuring images of coffee cups and beans.
Multiple colorful packages of gummy candies on a light yellow background, including orange Spiced Apple Cider Gummies, green Cranberry Mulberry Gummies, and purple Lavender Strawberry Gummies.
Cover page of a magazine titled 'We've All Been Branded' on a wooden table, with part of a black and white chair visible and an open magazine showing an article titled 'The Mind Behind the Habit' with black and white photos.

A two-page editorial spread exploring how coffee culture has become an almost unquestioned ritual of modern life. Using the article as a foundation, the project focuses on typographic composition and hierarchy, transforming dense content into a reading experience that feels structured & engaging
.

The layout draws from curiosity-driven publications, where information is layered rather than linear. Headings, sidebars, bullet points, and pull quotes
work together to guide the reader, allowing moments
of pause, emphasis & discovery throughout the spread.


Particular attention was given to every typographic detail. From proportional figures and glyph selection
to text wrapping and precise control of leading, spacing, and alignment, every decision was made to ensure the system feels both refined and intentional, elevating the reading experience while maintaining clarity.

Overview

Open magazine spread featuring a person holding coffee cups with branded logos, and text discussing modern habits, branding, and marketing rituals.
Open magazine featuring articles about modern habits and the mind behind habits. The right page shows an aerial photo of people standing in a crosswalk, many wearing white hats.
Screenshot of paragraph style options in a design software, listing styles like Basic Paragraph, FolioLine, SectionHead, Title, Byline, Deck, BodyText, Caption, Quote, and BulletPoints+.
Screenshot of a character styles panel in a design software showing options such as none, subhead, black text, and folio.
A digital display at a bus stop showing electronic schedules for the SIFF Film Festival, with reflections of the display on a glass panel, set against a dark, rainy street scene at night.

A poster designed for a fictional sci-fi film festival, created as part of a project exploring both print and digital applications. 
The concept centres around a custom 3D object, a three-sided vintage television, modelled in Blender and styled to evoke the visual language of retro science fiction.


The composition brings together multiple tools and disciplines. 3D rendering, Photoshop image work,
and InDesign layout are combined to create a piece
that feels both dimensional and out of this world.
The contrast between the nostalgic object and the structured layout builds a distinctive visual identity
for the festival.

Careful attention was given to scale, and placement to ensure that key information, including festival details, logos, and credits, remains clear and legible at a distance. The result is a cohesive system where
image and type work together, balancing visual
impact with clarity.

Overview

Hand-drawn sketches and notes for a sci-fi independent film festival poster and promotional materials, including layout ideas, logo concepts, and event details.
A vintage-style arcade game machine with a colorful screen and retro design.
Top view of a vintage washing machine with control panel on top and side vents.
Screen shows a colorful, distorted TV test pattern with a warning icon and the text 'SCI-FI INDEPENDENT FILM FESTIVAL' overlaid.
Digital clock displaying 12:49:20 with overlay text showing a math problem 21 + FLAS FROM 0 COUNTRIES and a pause symbol in the top left corner.
A digital screenshot of an arcade-style game interface showing a high score for 'Viff Centre' at 101, with options for 1 and 2 players. The game background is a starry space scene and features pixelated icons for navigation and settings.
A poster for the Sci-Fi Independent Film Festival (SIFF), featuring a vintage arcade game machine with a screen displaying the date and location of the festival.
A poster with a retro digital screen and game console graphics, promoting a film festival, resting on a concrete surface.
A pink logo featuring a stylized cursive letter 'h' inside a circle.